Jeg har tre højrehandsker.

Dvs. ingen venstre-. Hvad er oddsene? (1-8.) Særligt ærgerligt er det med min gode svinelæderhandske (t.v.) fra Randers Handsker på Strøget.
Siden for den moderne, følsomme mand, der trænger til at komme ud med det
Where the whole man is involved there is no work. Work begins with the division of labor.Sandheden er: mit liv ville være betydeligt nemmere uden det kunstpis. Jeg har ingen succes, og jeg er ikke engang sikker på, at det er noget, jeg holder specielt meget af.
– Marshall McLuhan
People say you have to have a lot of passion for what you're doing. And it's totally true. And the reason is because its so hard, that if you don't, any rational person would give up. It's really hard.
And you have to do it over a sustained period of time, so if you don't love it, if you're not having fun doing it, you don't really love it, you're gonna give up. And that's what happens to most people actually.
–Steve Jobs
Ofte, mens jeg står og maler, tænker jeg: Hvad fanden gør jeg egentlig det her for? Kulørte pletter. At smøre maling rundt. Hvor banalt. En abe kan gøre det.
I hated touring. Thought it was a real waste of time. You were only effective for an hour and a quarter a day and it just seemed scuzzy, all that rushing around, never getting the sound right on stage, meeting people you didn't want to talk to, like the local record company rep who turned up with the bag of marijuana you didn't want either. I enjoyed screwing the girls for a while, then that wore off as well. I've never known how to deal with adulation. The break point came for me one night when we were playing Sheffield and I caught myself thinking, Oh, I've forgotten to collect my laundry. And then I thought, This is the future: standing on stage, getting more and more successful, going through the motions.
– Brian Eno (min fremhævning)
(4:11:11 PM) Gamle jas,
på tråden der vist er lidt knas.
(4:17:35 PM)
Spil ikke såret,
når på hænder og fødder
gennem livet du bliver båret
med de andre tjenestemandsrødder
på jeres paradefloat af velfærd,
betalt af os andre med møje og besvær
og ansigts fodsved,
(4:19:06 PM)
ja, jeg ku' bli' ved,
vi hujer og pifter og vinker,
når I glider forbi med al jeres bling-bling'er
med kurs mod pensionen,
så satte og matte
og i fløjlsbuksebagen glatte,
som selveste Dronningen af Sabæ på tronen.
(4:20:18 PM)
Tryghed har sin pris,
det ved i stalden hver gris.
(4:29:06 PM)
PS I vifter til tilskuerne
med jeres lapper på albuerne.
The following message could not be delivered:
PS I vifter til tilskuerne
med jeres lapper på albuerne.
"Har du nogensinde prøvet at score en chicks og blive kaldt en spazmo?
Det skete aldrig for Pablo Picasso."
(Jeg arbejder på en fordanskning. Gi' mig nogle forskningsmidler!)
I know how a prize watermelon looks when it is sunning its fat rotundity among pumpkin-vines and "simblins"; I know how to tell when it is ripe without "plugging" it; I know how inviting it looks when it is cooling itself in a tub of water under the bed, waiting; I know how it looks when it lies on the table in the sheltered great floor-space between house and kitchen, and the children gathered for the sacrifice and their mouths watering; I know the crackling sound it makes when the carving-knife enters its end, and I can see the split fly along in front of the blade as the knife cleaves its way to the other end; I can see its halves fall apart and display the rich red meat and the black seeds, and the heart standing up, a luxury fit for the elect; I know how a boy looks, behind a yard-long slice of that melon, and I know how he feels; for I have been there. I know the taste of the watermelon which has been honestly come by, and I know the taste of the watermelon which has been acquired by art. Both taste good, but the experienced know which tastes best.
(fra kapitel 13, min fremhævning)